Symbols and Archetypes September 26 - December 7, 2019
This exhibition takes as its point of departure Carl Jung’s 1912 publication Symbols of Transformation, which frames the unconscious as a collective psyche, and the instinctive force driving visions to reappear time and again throughout human history—in dreams, religions, folklore and art from across the world. Read more.
Visionary Aponte: Art and Black Freedom January 9 - February 29, 2020
Visionary Aponte: Art & Black Freedom takes as its point of departure an extraordinary—and now lost—historical artifact: a “Book of Paintings” created by José Antonio Aponte. Aponte was a free black carpenter, artist, and former soldier who was also the leader of an ambitious antislavery movement in Cuba during the Age of Revolution. Read more.
Dream for Light Years: Ali Smith and Michael Alec Rose March 19 - June 7, 2020
The Vanderbilt University Fine Arts Gallery is pleased to present Dream for Light Years: Ali Smith and Michael Alec Rose, a collaboration between California-based painter Ali Smith and Blair School of Music professor of composition Michael Rose.Read more.
History of Prints June 18 - August 20, 2020
This summer exhibition, curated by students in a Spring Semester class on History of Prints HART-2775-01 (David Price) will draw upon prints from the private collection of Jack May and the Gallery’s holdings to explore the broad and diverse history of printmaking.
Artist Selects: Stories Told through the Vanderbilt Art Collection September 10 - November 20, 2020
This exhibition invites an eminent artist to engage with the Fine Arts Gallery collection in order to tell stories about—or alongside—his or her own artwork and ideas.
The Artist's Workshop in Medieval and Renaissance Europe December 3, 2020 - January 24, 2021
This exhibition of paintings and art objects from the Late Medieval and early Renaissance period in Europe will be presented to coincide with the Frist Museum’s exhibition Medieval Bologna: Art for a University City. In January, the Frist Art Museum and Vanderbilt University Fine Arts Gallery will co-host the Andrew Ladis Memorial Trecento Conference, a biannual event that brings together historians of medieval and Renaissance art from around the world. The Vanderbilt exhibition will focus on the artist’s workshop in fourteenth- through sixteenth-century Europe, and will spotlight the University’s Samuel H. Kress Foundation collection of Renaissance works of art from northern and southern Italy.
Tennessee Triennial February 5 - May 2, 2021
A contemporary art exhibition curated by Teka Selman (Selman Contemporary, Durham, NC) and Lauren Haynes (Curator, Crystal Bridges), hosted at venues across the state including The Frist Museum, The Parthenon and Fisk University. Organized by Andrea Zeiher and Nashville nonprofit arts organization Tri-Star Arts. https://www.tennesseetriennial.org/
Refuting "Noble Savages": Reflections of Nature in Ancient Mesoamerican Artifacts May 9 - September 13, 2019
The Vanderbilt University Fine Arts Gallery is pleased to present a collection of ancient Latin American artifacts curated by undergraduate students as part of a semester-long course led by Dr. Markus Eberl, associate professor of anthropology. The exhibition, on view May 9–September 13, 2019, focuses on the connection between nature and culture among Pre-Columbian Mesoamerican people (ca. 500 to 1500 C.E.). Read More
Susan DeMay, Divergent Practices: A Career in Ceramics June 13 - September 13, 2019
Susan DeMay began her ceramics career as a graduate student at what was then called the George Peabody College for Teachers, where she studied art from 1977 to 1979. After earning her M.S. degree and establishing a pottery studio of her own, she was invited to return to the Vanderbilt campus to teach. Nearly forty years later, she will be celebrating her retirement as a professor in Vanderbilt’s Department of Art. This exhibition surveys ceramics DeMay produced over decades of teaching, running her own production line, and creating artwork in clay. Read More
Then & Now January 10 - March 1, 2019
Nearly a millennium after its origination in fifth-century Chinese textiles, the woodcut became a popular medium in Europe, thanks to the prevalence of paper manufacturing in late-fourteenth-century France and Germany. The medium has continued to resonate in print practices globally, with artists still creating woodcuts today. Then & Now: Five Centuries of Woodcuts spotlights prints from Vanderbilt’s collections, surveying the wide range of woodcuts created over 500 years and across many cultures. Read More
Digital Futures, Archaeological Pasts 2018
In spring 2018, nine students in the History of Art seminar, “Exhibiting Historical Art: Digital Approaches to Ancient Greek Ceramics,” studied a selection of ancient Mediterranean antiquities in the collection of the Vanderbilt University Fine Arts Gallery, and curated this exhibition. The objects range in date from the 6th century BCE to the 1st century CE and include Greek and Etruscan vases, a Greek coin, and a Greco-Roman marble sculptural head. In addition to exploring each object’s historical context and significance, the students learned photogrammetry, a process for generating digital models of 3D objects through photography. By creating and printing these digital 3D models, students sought insight into how new, digital approaches might facilitate research into, and engagement with, ancient material and visual culture. Read More
Pompeii Archive: Recent Photographs by William Wylie October 25 - December 6, 2018
Featuring a selection of recent work by American photographer William Wylie, Pompeii Archive, explores the famous archeological site of a volcanic eruption in 79 C.E. with highly evocative images, shot with analog black and white film on a large format camera. Alongside his contemporary photographs are several by Giorgio Sommer (1834–1914), who was involved in excavation of the site in the nineteenth century. Read More
Joyce Tenneson - Botanical Beauty July 26 - August 18
Joyce Tenneson—Botanical Beauty presents work drawn from two portfolios by the artist, both of which feature atmospheric, poetic photographs of flowers in high contrast with a black background. The first series, Flower Portraits, presents sepia-toned images of flowers in decay. Tenneson has adeptly captured movement, wonder, and vibrancy in them, as well as a sublime beauty. Intimacy, the second portfolio, features a wide variety of flowers, photographed in color in a sensuous, almost ethereal, manner. These two series together encourage viewers to study the unique shapes, textures, and marks of individual flowers and, in so doing, to celebrate biodiversity and the life cycle of plants. Read More
Au Coeur De Mai '68 April 30- November 16, 2018
It hardly needs saying that 1968 was a year that forever changed the global social, cultural, and political landscape. The world over, the historically marginalized and disenfranchised spoke out against what they perceived as the criminal indifference of those in power. In France, these protests consisted of strikes, occupations, and demonstrations against the de Gaulle administration that became collectively known as Mai 68. Read More
Syriac: Preserving an Endangered World Culture February 1 - March 2, 2018
For nearly two thousand years, Christians across the Middle East and Asia have shared a common heritage through Syriac language and culture. Many of these communities face the threat of extinction today. In response, this exhibit showcases the enduring presence of Syriac culture around the globe. The exhibit features historical reproductions as well as items from the family collection of Rev. Dr. P.K. Geevarghese, priest of the first Indian Orthodox parish in Tennessee. Read More
America Creative: Portraits by Everett Raymond Kinstler February 1 - March 2, 2018
Everett Raymond Kinstler, now 91 years old, is America’s foremost portrait painter. In his career, he has rendered portraits of more than 2,000 individuals—leaders in almost every professional field, including eight United States presidents. Read More
Looking Back (Looking Forward): The Black Mountain Experience January 11 - March 2, 2108
From its inception, Black Mountain College was an incubator for experimentation, placing the importance of an integrated liberal arts education at its center. This innovative school, founded in 1933 in North Carolina’s Blue Ridge Mountains, valued equally the visual arts and the so-called applied arts, along with poetry, music, and dance. Read More
FAMOUS! (and not-so-famous): Polaroids by Andy Warhol January 11 - March 2, 2018
From 1970 to 1987, Andy Warhol took scores of Polaroid and black-and-white photographs, the vast majority of which were never seen by the public. These images often served as the basis for his commissioned portraits, silk-screen paintings, drawings, and prints. Read More
Who Are We? Identity and the Contemporary Photographic Portrait September 11 - December 7, 2017
The photographic portrait, with its roots in early nineteenth-century France, has continually challenged how we view ourselves. The actual practice has become increasingly fluid over time and almost as difficult to grasp as the nature of identity itself. Read More
American Artists and the Legacy of the Grand Tour, 1880-1960 June 15 - August 26, 2017
In a historical sense, the Grand Tour was a seventeenth- to eighteenth-century phenomenon in which the young, usually male and aristocratic, members of English and Northern European families visited great cities and societies of the European continent. Read More
American Modernism at Mid-Century: The Work of Morris Davidson April 28 - September 17, 2017
Morris Davidson’s career as a painter spanned the decades in which American artists experimented with a wide variety of artistic expression, from social realism to abstraction. Davidson followed these trends in his own work as he studied art in Baltimore, at the School of the Art Institute of Chicago, with painters in Provincetown, Massachusetts, and eventually in Paris. Read More
The Dada Effect: An Anti-Aesthetic and Its Influence March 16 - May 27, 2017
Dada was an international multimedia artistic and literary movement founded in Zurich in 1916 to reimagine and, in fact, tear down prevailing forms of art that had dominated the Western tradition. As early as 1915, while proto-dadaists such as Marcel Duchamp and Man Ray worked in New York forming their anti-establishment philosophy of art, Zurich Dada was beginning to develop independently in the shadow of the First World War. Read More
Marilyn Murphy - Realism Subverted January 19 - March 3, 2017
This exhibition is presented in honor of Marilyn Murphy, who will retire in 2017 after 37 years of teaching in the Department of Art at Vanderbilt University. Marilyn Murphy—Realism Subverted will feature paintings and drawings in which reality is turned upside down in dreamlike scenes with gravity-defying objects and figures diligently focused on a task. Read More