The papers of George Marion O'Donnell date from approximately the 1870s to
1982. The bulk of the collection, however, dates from the 1940s and 1950s. It
includes O'Donnell's correspondence, journals, and daybooks, which reflect his
interest in modern literature and the influence of several Vanderbilt and other
Southern literary figures over his own work. His correspondence includes one
letter each from Allen Tate, John Peale Bishop, and Harriet Owsley, and a brief
scribbled note from John Crowe Ransom. His journals from the 1930s and letters
from friends and colleagues in the 1940s, however, often mention Tate and Ransom,
along with Andrew Lytle, Cleanth Brooks, Eudora Welty, Carson McCullers, and
Katherine Anne Porter. Two photograph albums include numerous pictures of these
literary figures, notably of Tate and Welty, but also of Porter, Robert Frost,
Carl Sandburg, and William Faulkner. O'Donnell's literary career is further
documented by the manuscripts and published versions of many of his poems, stories,
essays, and reviews included in this collection. Lecture notes provide a glimpse
into his teaching career.
The collection also includes some of the papers of Gordon Roysce Smith, Jr.
His correspondence includes 173 letters received from O'Donnell during 1944-45
while Smith was in the Navy. Those letters primarily describe O'Donnell's day-to-day
activities and could be categorized as "love" letters. O'Donnell's
journals from the 1930s provide a glimpse into what he called the "gay
group" in Nashville, and his letters to Smith and letters from LeRoy Leatherman,
Edward McGehee, and John Shinn provide further insight into his homosexuality,
although he appears to have rarely addressed the issue directly.
The O'Donnell Papers are divided into eleven series, as follows:
I Biographical and Personal II Correspondence III IV Writings V Notes VI Collected writings and publications VII Clippings VIII Miscellany IX Photographs X Gordon Roysce Smith, Jr. XI Oversized
Series I: Biographical and Personal, 1922-70, nd (.1 cu.ft.)
Biographical information includes articles, obituaries, resumes, lists of writings,
and genealogical information regarding the Bell and Hutchens families. Also
includes some financial documents regarding loans and legal documents such as
deeds and wills; most of the legal documents relate to the affairs of O'Donnell's
aunt (?), Fannie Hutchens Bell, whom he cared for in her later years until her
death in the mid-1940s. Arranged topically.
Series II: Correspondence, 1934-1962, nd (1.4 cu.ft.)
Includes 883 letters received from and copies of 97 letters sent to 116 individuals,
not including Gordon Roysce Smith. (For letters from O'Donnell to Smith see
Series X). Major subjects include the Southern literary circle of the 1930s
and 1940s, with Cleanth Brooks, Allen Tate, Andrew Lytle, and Katherine Anne
Porter as frequent topics of conversation. Correspondence with Lawrence Bass,
LeRoy Leatherman, Edward McGehee, and focuses heavily on literature and the
arts. Correspondence with Pearl McLellan, a friend and attorney in Greenwood,
Mississippi, provides insight into O'Donnell's attitudes toward race relations
and his support of desegregation in the 1950s. Arranged alphabetically and chronologically.
Series III: Journals and Daybooks, 1933-1961 (1.0 cu.ft.)
Five volumes of journals from 1933 to 1940 detail O'Donnell's experiences while
a student, from the importance of Southern literary figures on his intellectual
development to his involvement in the underground homosexual community in Nashville.
From 1932 to 1961, O'Donnell also maintained daybooks, recording more briefly
his activities and thoughts. Arranged chronologically.
Series IV: Writings, 1933-1961, nd (1.3 cu.ft.)
Includes published and unpublished articles, lectures, poetry, reviews, short
stories, and one play, along with notes and sketches for two novels. Arranged
first by document type and then alphabetically by title.
Series V: Notes, c. 1930s-1950s (.8 cu.ft.)
Consists primarily of O'Donnell's notes for classes that he taught, along with
some notes from classes in which he was a student and notes for an idea for
a symposium on poetry and tradition that would be given by the "Southern
group" -- i.e., John Crowe Ransom, Allen Tate, etc. Arranged topically.
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Series VI: Collected Writings and Publications, 1882-1959
(.4 cu.ft.)
Articles, several complete magazines, and two books, including the first issue
of Time magazine and articles and stories by friends and colleagues with whom
O'Donnell also corresponded. Arranged alphabetically by author or title.
Series VII: Clippings, c. 1940s-1950s (.2 cu.ft.)
Clippings regarding modernism in literature, the arts, and architecture, political
matters, and general and human interest stories.
Series VIII: Miscellany, nd. (.1 cu.ft.)
Address book and creative and performing arts memorabilia, such as programs
and advertising leaflets. Two folders.
Series IX: Photographs, c. 1860s-1961 (.2 cu.ft.)
Seventy-three photographs and ten loose album pages of O'Donnell and his family,
including seven tintypes, and one folder of photograph illustrations from Sumner
C. Powell's book The Puritan Village. Four folders.
Series X: Gordon Roysce Smith, Jr., 1944-1982 (1.5 cu.ft.)
Includes 544 letters received from and copies of 16 letters sent to 81 correspondents,
including 173 letters from George Marion O'Donnell from the period of Smith's
Naval service, 1944-45. Major topics include Smith's personal relationship with
O'Donnell, the book trade, and censorship in Georgia in 1953. Also includes
Smith's poetry, articles, and drawings, personal calendars for the years 1962-63,
1965-66, and 1975, collected publications, and clippings. A group of sixty-eight
photographs includes an 8x10 of Charles M. Schulz autographing Peanuts books
and a 4x5 negative of Cleanth Brooks signing his work at a booksellers' convention.
Organized by document type and/or alphabetically and chronologically.
Series XI: Oversized materials, c. 1860s-1964 (1.0
cu.ft.)
From the O'Donnell papers, this series includes oversized photographs of Pearl
McLellan and her historic Mississippi home, five photograph albums, and one
scrapbook. Two photograph albums include pictures of Robert Frost, Andrew Lytle,
Allen Tate, Donald Davidson, Carl Sandburg, William Faulkner, Katherine Anne
Porter, Eudora Welty, Ford Maddox Ford, and Caroline Gordon. The scrapbook consists
primarily of clippings from the 1930s; O'Donnell has entitled it "Phenomena
in the Arts." From the Smith papers, the series includes two sketch books,
the John F. Kennedy memorial edition of Life magazine, and fifteen movie posters
from the 1950s and 1960s. Organized by document type.
Overview | Biography
| Scope and Content Note | File Listing: Boxes
1-8 |
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